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Interview with FREDRIK OLSSON, owner of Razor Boy Music Publishing - Apr 30, 2013

“Writers not at the Dr. Luke top level don’t get the same level of attention at the majors, whereas at a small indie they get 100% love all the time.”

Major publishers have the money and might to get almost any top songwriter and producer they want, so it’s no wonder that finding and nurturing the up-and-coming talent themselves is not always the priority.

In this exclusive interview Fredrik Olsson, owner of Razor Boy Music Publishing, argues that small indie publishers are better for young writers because they can give them all the attention they need to grow and prosper. The huge success previously unknown Razor Boy writers have enjoyed is a testament to this claim: Nervo wrote David Guetta’s breakthrough hit, Jo Perry created Top 5 UK act Stooshe, Stefan Örn wrote a Eurovision winner, and the roster has enjoyed numerous No.1s in Japan and South Korea.

Olsson also reveals how such a small company managed to break into the lucrative Far East market and why he’s attracted to native English songwriters.

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Interview with FREDRIK OLSSON, owner of Razor Boy Music Publishing - Apr 30, 2013

“Writers not at the Dr. Luke top level don’t get the same level of attention at the majors, whereas at a small indie they get 100% love all the time.”

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